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| performed = }} The Mass No. 3 in F minor WAB 28 by Anton Bruckner is a setting of the mass ordinary for vocal soloists, chorus and orchestra, and organ ''ad libitum''.〔(Anton Bruckner – Critical Complete Edition: Requiem, Masses & Te Deum )〕 == History == After the 1867 success of his Mass No. 1 in D minor, Bruckner was commissioned "to write a new Mass for the Burgkapelle."〔Nowak〕 Bruckner wrote the first version between Septembers 1867–1868〔Simpson, p. 19〕 in Linz (just before his move to Vienna).〔Schönzeler, p. 48〕 The first rehearsals, conducted by Johann Herbeck at the court church, the Augustininerkirche, took place in 1868 or 1869, but "were badly attended by orchestral players" and were "generally unsuccessful."〔 Ultimately, Herbeck found the mass "too long and unsingable."〔 After various delays, the mass was finally premiered on June 16, 1872, at the Augustinerkirche,〔 with Bruckner himself conducting.〔Hawkshaw (1997), p. 3〕 Herbeck changed his opinion of the piece, claiming to know only two masses: this one and Beethoven's Missa solemnis.〔Watson, p. 26〕〔Schönzeler, p. 60〕 Franz Liszt and even Eduard Hanslick praised the piece.〔 A second performance occurred in the ''Hofmusikkapelle'' on 8 December 1873.〔C. van Zwol, pp. 690-694〕 After the third performance (30 July 1876), Bruckner made slight revisions on the ''Kyrie'' and the ''Gloria'', and in 1877 on the ''Credo''.〔 He made a further revision on the ''Credo'' in 1881, in preparation for performances at the Hofkapelle,〔〔Hawkshaw (1997), p. 18〕 mainly to address "difficulties of execution",〔Hawkshaw (1997), p. 31〕 but also to take into account what he had learned from studying Mozart's Requiem,〔Hawkshaw (1997), p. 19〕 correcting some instances of parallel octaves if not justified by Mozart's example.〔Jackson, 9. 395〕 In some later performances, Bruckner was in the organ loft rather than on the podium.〔 In the 1890s Bruckner was still revising the work,〔Hawkshaw (2005), p. XII〕 but there were very little changes made to the vocal parts after 1868.〔 Hawkshaw (1997), p. 8〕 At a November 1893 performance of this mass, Johannes Brahms "applauded ... so enthusiastically ... that Bruckner personally thanked him."〔Kinder, pp. 126–127〕 The composer dedicated the piece to Hofrat Anton Ritter von Imhof-Geißlinghof at "the last minute."〔Redlich, p. 35〕 Leopold Nowak, however, believed that the piece was actually dedicated to conductor Johann Herbeck.〔Hawkshaw (2005), p. XI〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Mass No. 3 (Bruckner)」の詳細全文を読む スポンサード リンク
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